My photo and video editing over the years has followed a very similar approach. I tend to find an effective way to accomplish what I need to accomplish, even if sometimes the manner in which I get to my destination isn’t always the most elegant solution or exactly what might be deemed a remotely logical approach by those who actually understand the nuts and bolts.īut I tend to get there in the end, even if it takes me a while. As an example, it took me to darn near two years and several Google searches to figure out the right Canon technical LUT to get my C200 raw footage to look how I wanted. In fact, that initial problem is actually what brought me to our discussion today. Having been editing and grading in Adobe Premiere for the last several years, for the life of me, I just couldn’t quite get the colors exactly how I wanted them. It’s not that anything was super off. It’s just that as much as I fiddled in the Lumetri panel, I struggled to achieve the results that I was after. As someone whose work relies a lot on color precision, this was driving me a bit nuts. My usual response to this is similar to when I got into a minor car accident in college that left me with a bumper half dangling off and no money to fix the problem. A few rolls of duct tape later and I was good as new. Okay, not so good as new. And, yes, my dating life suffered. But it worked for the time being. True that wasn’t how it was supposed to work. But, it was a solution that worked for me. No, no. It’s not false modesty. It’s not that I don’t know anything after two decades of running still and video through various editing and post-processing software to create assets for my clients. But there’s a point in every digital process where my brain simply starts to hurt when trying to wrap my head around the technology. Now, let’s get one thing out of the way up front. I am not a computer genius.
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